“Because there is no true transcendence in this ordered world, one also cannot exceed the world, but only succeed to higher ranks.”
— Hannah Arendt, “Rilke’s ‘Duino Elegies’”
Arendt and Stern’s essay on Rilke’s Duino Elegies is a sumptuous meditation that weaves together questions of worldliness, being-in-hearing, alienation, the lover, time, and solitude. The despair expressed in the Elegies is an expression of our human world. It is a longing spoken in the space between making a home in this world and the acknowledgement that both God and the World have abandoned us. This “belonging-nowhere,” as Arendt calls it, constitutes both the nihilistic and religious quality of the poems. Arendt reads the Elegies as a “conscious renunciation of the demand to be heard.” In this conscious renunciation, there is despair at not being heard, along with despair in the desire to speak, knowing that there will be no answer. Despair, in these terms, is the only residuum of religiousness, and the elegy is the only form that can give expression not to what has been lost but the condition of loss itself.
What do guns have to do with Rilke and with loss?
Read the full post at the Hannah Arendt Center